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| Guy Davidi (left) with co-director Emad Burnat |
Our frequent online critic, Ted (not to be confused with our friend, Ted Jonas), made a particularly hurtful, vituperative comment some weeks ago, calling me a "racist" among other things, for allegedly denigrating the role of the Palestinian co-director of "5 Broken Cameras," Emad Burnat. I knew from
my previous contacts with Guy Davidi, the Israeli co-director, that Davidi had taken the lead in shaping the film, given the fact that he is a trained and experienced professional filmmaker and Burnat is not. And so, as a co-administrator of this blog, I deleted Ted's abusive comment, but not before making note of his explicit challenge for me to ask Davidi more about his working relationship with Burnat.
Davidi did not respond to my initial email a month ago, but he did reply more recently. Our new interaction, in which he responded to my questions on how he is faring now that "5 Broken Cameras" is a finalist for an Oscar in the best documentary category, resulted in a new article at The Forward's Arty Semite blog.
The title was not my choice and could be misread as an attack on the filmmaker: "
Why Oscar Nominee Doesn't Represent Israel." Davidi registers his disappointment over the competing nationalist
claims for authorship of this film: "Films have no nationalities," he declared, and went on to depict in some detail
his role and that of his Palestinian colleague, in this
"Palestinian-Israeli-French co-production, [with] Israeli and
Palestinian
directors and a story that is told [with] Palestinian characters and in
the West Bank."